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In addition, the movie has more content issues than you might expect. While its pretty innocuous when it comes to skin and sensuality, Jungle Cruise is surprisingly violent and pretty scary. And I’ve not seen so much drinking in a film designed for families since Bogey and Hepburn sailed up the Congo on the African Queen. But this Jungle Cruise—despite being set more than a century ago and paying homage to a ride nearly 70 years old—is a product of our secularly moralistic age.
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Disney’s Jungle Cruise is rated PG-13 — that’s a bit of a different story than the amusement park ride itself, which is for all ages. Other cruise lines surged ahead as travelers looked back at their vacation memories. No. 3 Regent Seven Seas moved up the list one spot, with a strong score above 92 points (out of 100).
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The climactic action — including revelations about Frank’s history — is so convoluted that many audiences will be checking out, especially as the movie careens toward the two-hour mark. That applies both to the unlocking of the Tears of the Moon mystery and to the inevitable battle with Aguirre and Joachim, even if the screenwriters’ bid to infuse a sense of the mythic elevates the story slightly above the generally juvenile level. Though kids are the target demographic, anyone older is likely to spend a lot of time thinking about the superior films being ransacked here for ideas, among them Raiders of the Lost Ark, Romancing the Stone and The African Queen. But the Disney brand and the Rock factor should ensure a sizable audience. Its craft isn't quite as sturdy as some of the classic adventures it's indebted to, but Jungle Cruise remains a fun, family-friendly voyage.
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The supporting cast is stacked with overqualified character players. Paul Giamatti plays a gold-toothed, sunburned, cartoonishly “Italian” harbor master who delights at keeping Frank in debt. Edgar Ramirez is creepy and scary as a conquistador whose curse from centuries ago has trapped him in the jungle.
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The morals culture embraces today may feel retro and even embarrassing 40 years from now. And even in this age, Jungle Cruise can feel a bit proselytizing. The inspiration for Jungle Cruise isn’t found in ancient legend or turn-of-the-century storybook, but rather a ride—the beloved Jungle Cruise ride found at most Disney parks. Frank imbibes quite a bit (most likely a nod to Humphry Bogart’s hard-drinking character in The African Queen).
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Sure, the script will occasionally remind you of this, but his character, the lightly scheming river skipper Frank, is winningly charming, even when he's trying to pull a clever con. Like Plemons and Giamatti, Ramirez is another talented actor squandered in a thankless part. There’s none of the hammy fun of his Pirates counterpart, played by Geoffrey Rush. The jungle and its creatures have ravaged the conquistadors’ bodies, suspending them between life and death, so Ramirez is rendered unrecognizable by CG excesses that transform him into a mass of writhing snakes. One of his comrades (Dani Rovira) is the spirit of the beehive — in what’s almost certainly not an homage to the classic Victor Erice film.
And we learn that at least one of those conquistadors sought out the Tears for a pretty good reason of his own. Still, Frank is roughly the size of a boat himself, which suggests he’s strong. He must be brave, too, living as he does in this little-explored jungle. Jungle CruiseRated PG-13 for chaste kissing and bloodless fighting. Find a list of new movie and TV releases on DVD and Blu-ray (updated weekly) as well as a calendar of upcoming releases on home video.
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Meanwhile, Joachim locates the conquistadors petrified inside a cave. Partially revived, Aguirre agrees to bring Joachim the arrowhead in exchange for lifting the curse when he finds the flowers. Joachim diverts the river to flood the cave and Aguirre and his conquistadors are reanimated while fused with rainforest elements. The conquistadors attack the tribe and Aguirre stabs Frank through the heart. Lily flees with the artifact, chased by conquistadors, but the jungle vines pull them back to the river, preventing her capture.
There’s a bunch of superfluous business with Nilo Nemolato (Paul Giamatti, with another shticky accent, plus a cockatoo), the commercial rival to whom he owes a bunch of money. But Lily is soon scammed into engaging Frank’s services, and they set off upriver on what could generously be called a rollicking, fantastical riff on Heart of Darkness. Some early humor comes from MacGregor packing like Lorelei Lee in Gentlemen Prefer Blondes, with trunk after trunk of toiletries and apparel for every occasion, most of which Frank tosses overboard. Meanwhile, Lily’s radical-for-the-era choice of pants is repeatedly emphasized to establish her feminist bona fides. The big trick with that was the art direct-ability of the boat, the speed of which you went through the rapids and what kind of splashes it made. I think with a sequence like that, it's so heavily buried in physics.
The film's villains are the unique tag team of a quirky German aristocrat played by Jesse Plemons and undead conquistador played by Édgar Ramírez (part of the CGI pile-on elements). Plemons is truly bizarre and, in any other scenario, would be a scene-stealer, but the story's guiding light, and most enjoyable players, are Johnson, Blunt and Whitehall. The film is at its strongest whenever the Houghtons are there, Frank is there, or they're all three together.
It’s concerned with issues that our society is concerned about, from feminism to the environment to LGBTQ issues. Before diving into water, Lily strips down to her modest 1916-era skivvies. (“Are you wearing pants under your pants?” Frank asks.) We also see some indiginous folks go shirtless or (in the case of women) shoulder-baring garb. Life-saving, underwater swaps of oxygen resemble a pair of lip-to-lip kisses.
Frank repeatedly exaggerates the dangers ahead — and fabricates some scares — to encourage Lily to turn back. But the feisty explorer remains determined, even when they face treacherous rapids. As they search for the sacred tree, Prince Joachim does everything possible to blow them out of the water, first with weaponry and then by setting loose the reanimated conquistadors. As a decoy, her brother MacGregor (Jack Whitehall) presents her theories about the unparalleled healing powers of the mysterious tree, which could revolutionize modern medicine and greatly aid the war effort. Following a year of post-production and a year of further delay due to the COVID-19 pandemic, Jungle Cruise was finally released in the United States on July 30, 2021, simultaneously in theaters and digitally via Disney+ Premier Access.
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